Brand Upon The Brain!

May 11, 2012 by OhioFi | 0 comments


Brand Upon The Brain! is one of my favorite films. Stylistically, it is art-house, surreal, melodramatic, avant-garde, gothic, and dream-like. Roger Ebert called the film “a phantasmagoric story that could be a collaboration between Edgar Allan Poe and Salvador Dalí” and Carrie Rickey of The Philadelphia Inquirer called it “a feverishly imaginative Freudian vampire film.”

Trailer:

The storyline involves Guy Maddin traveling back to his childhood home, a lighthouse on a mysterious island, and remembering the strange sequence of events that drove him from the island as a child. Young Guy, his teenage sister, and a horde of orphans live in the lighthouse orphanage. Their every move is watched over by Mother. Father is scientist/inventor and is constantly at work on secret projects in the basement. When odd head wounds begin to appear on the children, teen detectives Chance and Wendy Hale (the famous brother and sister sleuth team “The Lightbulb Kids”) visit the island to launch an investigation. Guy is weak-kneed as he falls for Wendy and his sister falls for Chance, a love which must be kept from Mother at all costs. The kids help with the investigation and the terrible secrets of Guy’s family are revealed.

The film was originally presented with an 11-piece orchestra, several foley artists, a Castrato, and a narrator. While resembling a silent film with intertitle cards, the soundtrack features the musings of the narrator. The narration for the DVD is provided by Isabella Rossellini, but many others provided live narration including Lou Reed, Crispen Glover, Laurie Anderson, Daniel Handler (aka Lemony Snicket), Stephen Malkmus (of Pavement), Calvin Johnson (of Beat Happening), Tunde Adebimpe (of the band TV on the Radio), and Mike Watt (from the punk band The Minutemen).

A 70-second clip played with three different narrators:

Interview with Guy Maddin and Crispin Glover (one of the narrators):

A unique and notable feature is Guy Maddin’s distinct jump-cut editing style. Maddin describes it as “cutting out the good parts of the take and only using the stuff before ‘Action’ and after ‘Cut’.” The editing sometimes even shows multiple takes of the same event as if to rewind and highlight the importance of that event before moving forward. Vaseline often covers the camera lens.

Maddin talks about his editing style:

Lou Reed hawking Klipsch earbuds?! First Metallica, now this?!

November 16, 2011 by OhioFi | 0 comments

BY MARIO AGUILAR
source: http://gizmodo.com/5859784/save-lou-reed

Lou Reed must be broke. Or maybe he lost a bet. I can’t think of any other explanation for why he’s agreed to go all Beats by Dre on these Klipsch earbuds. Everyone needs to pitch in here.

There’s something humiliating about seeing Lou Reed—Lou Reed—modeling a set of metallic purple in-ear headphones. This man is a rock and roll pioneer who struck fear into the hearts of the status quo. I don’t believe that Lou Reed wears these in-ear headphones, but if he does, I don’t want to know about it. I don’t want to think about him walking the dog in the morning. Or going to Starbucks. I want to think about him strung out on the floor of the Factory saying weird and important things to Nico, Andy Warhol, and John Cale. Nevermind that there’s no way that Lou Reed had anything to do with the design of these headphones. Purple? Not even in a glam way, man. This is a parody of a sponsorship.

Special edition or not, these Lou Reed Signature X10i in-ear headphones have solidified within my soul what before amounted to only a nebulous concern for Mr. Reed—now I’m sure that he’s in trouble. In theory there is nothing wrong with Klipsch X10i headphones. $350 is pretty expensive for a set of aluminum in-ears, and I doubt if they really sound $250 better than the excellent Klipsch S4is.

Klipsch makes great products, but the company also has the habit of repackaging its designs into new and super-special editions that are more or less what came before. Like these buds: The X10i’s have been around since last year, which means Lou Read didn’t raise a finger designing them.

It’s just the latest hollow money grab in Reed’s life. I was willing to abide that ridiculous failure of an HP commercial last summer. But then I heard his new Metallica collaboration (spoiler: it blows), and I started to get worried. This is the behavior of a man who must be desperate. I mean look at THOSE EYES. Those are the eyes of a man who is crying for help with his actions, but can’t ask for help with his voice. Why else would Lou mug for the camera like he’s Lady Gaga. I can’t stand it.

Oh and did you hear? The first 50 people to order $400 Lou Reed headphones get a LIMITED EDITION AUTOGRAPHED LOU REED CD! What?!?! You might as well send me a cassette tape. How about an eight-track? Thanks for the limited edition drink coaster Klipsch.

So let’s all do Lou Reed a solid. After all, his music has always been there for us, and now our Spotify subscriptions are killing him. Let’s go buy lots and lots of his records. Buy Transformer on Amazon. Buy Transformer on iTunes. I don’t care where you buy Lou Reed’s music. Just do it. Let’s not shame him any more with our neglect. [Klipsch]

BY MARIO AGUILAR
source: http://gizmodo.com/5859784/save-lou-reed

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